For Camille Henrot's exhibition, Le vers dans le fruit, at Kamel Mennour, CHH enveloped the gallery in layers of torn wallpaper suggesting the passage of time - the impression of a domestic space in transition. Three of the patterns are formed with Henrot's own drawings - lines of asemic writing, cigarettes and plumes of smoke, sperm or sweat - and are laid under a pattern of rippling curtain drawn by Pilar Almon rendered in three colors.