On the occasion of TEFAF New York, Adam Charlap Hyman will speak with Salon 94 founder Jeannie Greenberg Rohatyn and Curator of Contemporary Design at Cooper Hewitt, Alexandra Cunningham to explore the thrill of discovery across art, design, and scenography. This talk is presented in partnership with artnet, and moderated by William van Meter, Editorial Director, Artnet Studio.
Charlap Hyman & Herrero curated and designed the scenography for Glass Projects, an exhibition of historical and contemporary art at R & Company. Spanning 300 years and featuring more than 20 works of decorative and fine art from diverse locations—Brazil, France, Italy, Sweden, and the U.S.—Glass Subjects serves as an homage to the French artist Serge Roche and his 1930s gallery of mirrors and mirrored objects on Rue du Faubourg Saint-Honoré, Paris.
For the Interior Architecture & Design Program's Visiting Designer Series at Utah State University, Professor Darrin Brooks invited Adam Charlap Hyman and Adrie Costanza as guest critics.
Charlap Hyman & Herrero's Brooklyn project, a collaboration with GRT Architects, has been featured as the cover story of Architectural Digest's April 2025 issue, with words by Samuel Cochran, photography by Jason Schmidt, and styling by Mieke ten Have.
Adam Charlap Hyman curated Vintage20: Design for Living, an exhibition of midcentury furniture and design celebrating the legacy of Manhattan-based design firm Vintage20. This presentation coincides with the publication of Design for Living, a new book edited by Nick Herman that documents exhibitions staged by Vintage20 from 2005 to 2019.
Camille Henrot's exhibition, A Number of Things, with scenography by CHH, opens at Hauser & Wirth's 22nd Street gallery.
Charlap Hyman & Herrero's Angelino Heights Residence has been featured in ‘Defining Style: The Book of Interior Design’ by Joan Barzilay Freund, with an introduction by Asad Syrkett. ‘Defining Style’ is an inspirational lookbook featuring 25 of the most recognizable design styles through 150 residential interiors from leading designers around the world.
Charlap Hyman & Herrero has been named to the AD100, Architectural Digest’s list of the one hundred top interior designers and architects working today. The list is featured in AD’s January 2025 issue.
Figures in an Interior, Charlap Hyman & Herrero's homage to Édouard Vuillard, has opened at the Future Perfect. The collection, exclusive to The Future Perfect, comprises pillows created from Japanese kimonos and French tapestries alongside lanterns hand-painted by the artist Pilar Almon.
Adam Charlap Hyman speaks with Holland Stephens on the occasion of Seattle Design Center's Fall Design Day, presented by Schumacher.
In collaboration with Thom Browne and Mouthwash Studio, CHH helped to design and produce a dinner for Thom Browne at the beautiful Commerce Inn during NYFW, hosted by the great Cole Escola.
CHH designed a lighting collection for Objects for a Heavenly Cave, a group exhibition at Marta curated by Krista Mileva-Frank. The suite of lighting is made with a process that combines precision industrial fabrication and hand wrought metalwork in service of nautilus shell shades — an homage to the shell lamps created by Louis Comfort Tiffany and his poetic exploration of naturally occurring iridescence.
In time for Aspen Art Week, CHH unveiled a curated selection of new and antique pieces at the Aspen Art Museum Shop. The pop-up brings together unique artworks and design objects by CHH and their friends, including beautiful Venetian glass by YALI, linens from the Dolomites by Chiarastella Cattana, 1970s puzzles by Alighiero Boetti, and many other gems ranging from vintage architecture books to children's toys.
Charlap Hyman & Herrero has designed the set for ROBESOИ, a performance conceived by opera singer Davóne Tines and Zack Winokur, exploring the musical repertoire of Paul Robeson. The performance, running from June 26th to June 29th, 2024, is staged at Little Island within Hudson River Park.
CHH designed the booth for Jeffrey Deitch Gallery's exhibit, Live the Art, at Art Basel 2024. An homage to Edward James to celebrate the 100th anniversary of Surrealism, the floors are covered in billiard green carpet and the walls in a custom trompe-l’œil wallpaper of James’s iconic tufted walls.
Principal Andre Herrero will participate in FOUND. SALONE, a forum for leaders of the creative industry to investigate further how artificial intelligence and advanced technologies will integrate into the design practices of today and the future. Herrero will join Sara Hooker, Head of Cohere For AI and councilwoman on the World Economic Forum on the Future of Artificial Intelligence. The panel will be hosted at will.i.am AI Studio, and will be moderated by Adam Bleibtreu, former Chief Marketing Officer at Creative Circle and ASGN.
Charlap Hyman & Herrero has been named to the ELLE DECOR A-List for 2024, ELLE DECOR's annual look at the most impressive designers across residential interiors, architecture, and landscape.
Adam Charlap Hyman has been named as the Curator of the 2024 Insider's Collecting Guide to TEFAF New York. As part of the role, Charlap Hyman selected eight works of interest, including pieces by Misha Kahn, Line Vautrin, Rosemarie Trockel, Michel Boyer, and Giorgio Morandi.
Alongside the curation, Charlap Hyman will participate in a panel with Eleanor Cayre and Ebony L. Haynes, hosted by Artnet, and moderated by Andrew Russeth.
CHH has curated an exhibition, In Ruins, for Platform, a digital art marketplace conceived by David Zwirner. As part of the digital experience, CHH imagined a metaphysical gallery concept in which the works are displayed. Some of the works were placed in the 1917 studio of Gertrude Vanderbilt Whitney at the New York Studio School for a one-night exhibition and reception.
Charlap Hyman & Herrero is honored to be featured for the second consecutive year in the 1stDibs 50, 1stDibs' list of the top interior designers and architects.
Adam Charlap Hyman will participate in the Afternoon Salon at Jacqueline Sullivan Gallery, on the occasion of Valentina Cameranesi Sgroi's exhibition "I Racconti (The Tales)" and Olde Hope Antiques.
The Salon will be moderated by Dan Rubinstein, writer & editor specializing in design, interiors, architecture, art, and culture, and host of The Grand Tourist podcast. Joining the conversation are Patrick Bell, dealer of American folk and decorative arts and owner of Olde Hope Antiques, and Charlotte von Hardenburgh, curatorial fellow at Cooper Hewitt and history instructor at Parsons School of Design.
Charlap Hyman & Herrero designed the set of Rosetta Getty's FW24 campaign. Ladislav Kyllar shot the series of images for the luxury apparel brand.
Charlap Hyman & Herrero Principal Adam Charlap Hyman will speak with Michael Diaz-Griffith, Executive Director at Design Leadership Network and author of The New Antiquarians: At Home with Young Collectors, about the new generation of collectors, and how living with historical objects informs contemporary values.
For their MZ Wallace Flagship Store, Charlap Hyman & Herrero was nominated for the Best Commercial and Cultural Project in Interior Design. Their Miami residential project and show for Winter Street Gallery, Widow's Walk, were designated as Créateurs Selects in their respective categories.
Charlap Hyman & Herrero has been named to the AD100, Architectural Digest’s list of the one hundred top interior designers and architects working today. The list is featured in AD’s January 2024 issue.
Charlap Hyman & Herrero released a collection of plates and glasses in collaboration with Pilar Almon for Sprezz. The launch of the collection was celebrated on November 15th at Tina Kim Gallery.
Charlap Hyman & Herrero is honored to be featured for the sixth consecutive year among The Architect’s Newspaper’s and AN Interior's “Top 50 Architects and Designers,” released in their Fall/Winter 2023 issue.
Charlap Hyman & Herrero curated and designed the scenography for Widow's Walk, an exhibition of historical and contemporary art at Martha's Vineyard's Winter Street Gallery. Widow’s Walk is named for the architectural element present on the roofs of many houses on Martha’s Vineyard, evoking the wives of mariners who watch for their spouses’ return in vain as the ocean takes their lives.
Charlap Hyman & Herrero principals Adam Charlap Hyman and Andre Herrero will speak with Vitra’s Creative Director of Interiors & Scenography, Till Weber, on the recent redesign of the VitraHaus loft at Vitra’s Campus in Germany to explore how external designers can bring fresh perspectives to iconic brand interiors, and delve into the challenges and opportunities that arise in collaborations of this nature.
Charlap Hyman & Herrero has been named to the 2023 1stDibs 50.
“The members of this year’s 1stDibs 50 represent design at its very best across stylistic and geographic spectrums, although they’re all united in their passion for the beautiful things with which they create their interiors” - Anthony Barzilay Freund, Editorial Director and Director of Fine Art, 1stDibs.
Charlap Hyman & Herrero has been named to the AD100, Architectural Digest’s list of the one hundred top interior designers and architects working today. The list is featured in AD’s January 2023 issue.
CHH has partnered with a new health-remedies brand, OEM, to produce an aesthetically and functionally innovative holder to house their Incense (Hinoki).
The OEM + Charlap Hyman & Herrero Incense Holder is a hand-polished stainless steel plate suspended by three interchangeable spheres. Inspired by Sogetsu Ikebana, the largest sphere includes three cavities so that the owner can arrange the incense, burn multiples, and mix scents. The algorithmically shattered plate reflects the surroundings, allowing it to disappear in a surreal way. It will be available on oem.care and ssense.com.
Marie-Rose Kahane (YALI Glass, Venice) and Adam Charlap Hyman (Charlap Hyman & Herrero, New York) come together at the YALI Studio and share some thoughts on design and creativity and discuss their recent collaboration FREE in Venice. The event will be introduced by Alma Zevi (Paterson Zevi, London) and moderated by Giorgio Mastinu (Giorgio Mastinu Gallery, Venice).
Format, a festival celebrating Music, Art, and technology, with acts and installations by Doug Aitken, Nick Cave, and John Gerrard, debuted in what will be an annual gathering in Bentonville, Arkansas. CHH designed the Bizarre Bazaar, a retail-focused market within the festival.
Charlap Hyman & Herrero designed the new flagship store for the handbag company MZ Wallace on Crosby Street in SoHo. This is the first major retail project CHH has completed to date in New York.
Principal Andre Herrero speaks in an AIA Strategic Council Roundtable, Workplace Culture. Facilitated by Ralph Simone. Fellow panelists include: Saskia Dennis-van Dijl, Kristen Riley, Jared Gilbert, and Elizabeth Robbins.
An adapted version of Mother Tongue, a show by Camille Henrot with Scenography by CHH, opened at the Salzburger Kunstverein, in Austria.
Wagner's Tristan und Isolde, with sets by Charlap Hyman & Herrero, opens at The Santa Fe Opera to critical acclaim.
Charlap Hyman & Herrero created a set resembling a home draped in plastic as the backdrop of Rosetta Getty's new campaign. Principal Andre Herrero shot the series of images for the luxury apparel brand.
Working from cut paper designs by Adam Charlap Hyman, the renowned jeweler and artist Christopher Thompson Royds created a series of gold earrings shown at Design Miami/Basel.
CHH's birdhouse at the Brooklyn Botanic Garden takes the form of a jagged reflective mass, hovering above the ground. A green mirage of sorts, CHH collaborated with the artist Shun Kinoshita. Kinoshita uses paper, plaster, and silver nitrate to expressive effect - rendering sculptures, chairs, and tables that fuse his unique hand with an industrial coating process. The enclosure, perched atop its integrated stand, recalls the architecture of caves and the lightness of clouds, dissolving into its surroundings via its reflective properties. The birds that enter are protected by a sleeve of silvery camouflage, an ideal shelter for nesting.
Produced by Patterson Flynn, Charlap Hyman & Herrero X Pilar Almon has released their second straw rug collection featuring new designs and different animals.
For the Senior Thesis Critique in the RISD Furniture Department, professor Lane Myer invited Adam Charlap Hyman and Gabriel Burkett as guest critics.
Commissioned by Hollyhock House, the house-museum designed by Frank Lloyd Wright, Adam Charlap Hyman created 19 watercolors of architectural details for inclusion in the revamped visitor's guidebook.
For their loft at the Vitra Haus in Weil am Rhein, Germany, Charlap Hyman & Herrero accepted the award for Best Design Collaboration at the annual CDA ceremony in Paris.
For Camille Henrot's exhibition, Le vers dans le fruit, at Kamel Menour, CHH enveloped the gallery in layers of torn wallpaper suggesting the passage of time - the impression of a domestic space in transition. Three of the patterns are formed with Henrot's own drawings - lines of asemic writing, cigarettes and plumes of smoke, sperm or sweat - and are laid under a pattern of rippling curtain drawn by Pilar Almon rendered in three colors.
Charlap Hyman & Herrero has been named to the AD100, Architectural Digest’s list of the one hundred top interior designers and architects working today. The list is featured in AD’s January 2022 issue.
An adapted version of Clay Pop, the critically acclaimed show of artists working with clay at Jeffrey Deitch in New York, curated by Alia Jesenya, opened at Art Basel Miami. The show features works by Katie Stout, Raven Halfmoon, and Elizabeth Jaeger.
Showcasing work by 32 artists, designers, architects, and creative practitioners, 'Built In' celebrates the possibilities inherent to residential programming by inviting exhibition participants to dialogue with various structures intrinsic to the residence. Built-ins are the unmoving opposites of freestanding furniture.
Charlap Hyman & Herrero reimagined the exhibition space to encapsulate over forty artists and more than sixty works within a theatrical 'archaeological dig.' A light lilac color worked across the space to set a neutral backdrop for works overflowing with color, saturation, and figure. The space pivots around a central 'memory of a stair' across which viewers observe space, line, color, fill, and novel adjacencies between and around the works. CHH wrapped the space in weightless vinyl 'shard' decals to unground the ceramic works from conventional associations to history, materiality, and function.